For example, MEADOWS was quite public with us for our book about the fight for the border wall: In his mind, it was the opening clash between NANCY PELOSI and TRUMP that would set the stage for the rest of his first term. ![]() MEADOWS, more than anything, understands Washington’s power games, how to play them to maximum impact and what they actually mean. His relationship with KEVIN MCCARTHY is, well, how to put this lightly? It’s complicated, but at this point it’s functional. MEADOWS has a relationship with STENY HOYER, which will be useful for him. But the late Baltimore Democrat saw MEADOWS for what he was: an operator who was open for business. That relationship is instructive of his across-the-aisle bonds. People make a lot of MEADOWS’ relationship with the widely respected ELIJAH CUMMINGS. PERHAPS MOST NOTABLY FOR TRUMP, he has relationships with Democrats. He understands the small tokens that can be distributed to win lawmakers’ support and loyalty - and can find his way to temporarily trading or loaning his ideology to achieve a larger end. Even people who don’t like him acknowledge his deep relationships in Washington, and his uncanny understanding of how the levers of power work. MEADOWS DOES HAVE considerable talents he can deploy here. And, to be fair, he has never managed a crisis like this, so he’s starting with quite the challenge staring him down. MEADOWS’ DETRACTORS - and, yes, there are some, mostly in the GOP - see this job as the ultimate moment that will finally reveal the North Carolina Republican as a top-notch fraud who couldn’t find his way out of a wet paper bag. It’s long overdue that TRUMP made this move, since he’s been listening to MEADOWS over PAUL RYAN and other party stalwarts for years. It’s made for a savvy strategist who can operate behind the scenes, manage a Game of Thrones-like environment and occasionally burst into the limelight to defend the president and blast his enemies. WHITE HOUSE CHIEF OF STAFF for TRUMP is a job that is perfectly suited for how MEADOWS sees himself. PRESIDENT DONALD TRUMP faces a nasty trio of problems: a virus outbreak spiraling out of control, an economy that’s flagging and, all on top of that, a re-election campaign that’s getting into full swing. NOW, MEADOWS is entering a job where his problem-solving mettle will be put to the absolute test. YOU MIGHT SAY he has sometimes played both the arsonist and the fire brigade. The catch is, his time in Congress has seen problems at least partially of his own making: government shutdowns he egged on, health care bills he scuttled and leadership brawls that he, at least tacitly, encouraged. MARK RANDALL MEADOWS, the new White House chief of staff, has a knack for hatching plans to solve problems. | Sarah Silbiger/Getty Images DRIVING THE DAY ![]() Mark Meadows is entering a job where his problem-solving mettle will be put to the absolute test. The millennial aesthetic promises a kind of teleology of taste: as if we have only now, finally, thanks to innovation and refinement, arrived at the objectively correct way for things to look.Rep. Simplicity of design encourages an impression that all errors and artifice have fallen away. Every sofa and soft-cup bra presents itself not as evidence of distinctive taste but as the most elegant, economical, and ethical solution to the problem of sofas or soft-cup bras. Propagated by brands and advertisements, it is a fundamentally commercial aesthetic - and why alienate any potential customer? Millennial marketing showcases models of many races and body types, and the products on offer are obvious in their charms. But the millennial aesthetic aims its appeal at everyone. Sometimes the hipster flirted with racism and misogyny, couched as irony or provocation - a certain performance of exclusivity (even just daring your audience not to get the joke or know the band) was central to the hipster aesthetic’s appeal. ![]() You sense - in a way you could neither articulate nor explain - the presence of a mail-order foam mattress somewhere close at hand. ![]() In the far corner, within the shrine of an arched alcove, atop a marble plinth: one lonely, giant cartoon jungle leaf, tilting from a pink ceramic tube. Above a bookshelf (spines organized by color), a poster advises you to WORK HARD & BE NICE TO PEOPLE. It holds a succulent in a lumpy ceramic pot, a scented candle with a matte-pink label. Upon the terrazzo nougat of the coffee table, a glass tray trimmed in brass. Circles of faded terra-cotta and pale yellow mint-green and mustard confetti white, with black half-circles and two little dots - aha. Before you is a couch, neatly tufted and boxy, padded with an assortment of pillows in muted geometric designs. A basketlike lamp hangs overhead other lamps, globes of brass and glass, glow nearby. MA| THE CUT You walk beneath a white molded archway.
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